You describe the band's sound as cowpunk. What does that mean? The term "cowpunk" is a blend of old country western like Hank Williams Sr. as well as some aspects of punk or rock. We didn't do it on purpose or try to create it really. It just sort of happened, the fusion part of these different sounds. We don't want to be just one thing or one sound.
What was the most exciting performance you have ever given? When we used to play under the name Clickity Clack, we played the Double Door in Chicago and opened for Flickerstick. More recently we did a European tour, which was cool. They love music over there! We also set a pre-sale record for Billy Bob's Thursday night sales. Yeah, that was a great night. I heard they had to bring on extra bartenders that night to deal with the all the people.
Are you currently working on another album? Yeah, actually. Joe [lead singer] and I are working on some writing. Usually we work together a bit, and then take what we come up with to the band. When we get ready to record the new album in March of 2013, we want to know all of our parts and have everything polished as to not waste time in the studio. Will Hunt is a huge part of our sound, for sure. He's the sound engineer at Spaceway Studios, and he has a way of not forcing but suggesting things that really help.
The art for your albums is interesting. Can you tell me about the artist? Holy Moly's artwork in its entirety has been created by "Troll" from Salty Dog Tattoo. I'd give you his real name, but nobody would know who we are talking about. We call Troll our No. 5. He's a huge part of our band and our image.
